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Filters Filters. The second another actor starts to take the focus of the scene, cut out or edit around their lines or actions so that it doesn't distract the viewer from you.

Don't worry about showing us context or the story line. We don't care. All we care to see in a demo is how you look on camera, how you cast and how's your acting ability. That said, don't cut the other actor s out entirely.

Great acting is always about chemistry. So, we need to see the chemistry between you and the other actor s. It's best if the first three scenes of your demo reel show each of your primary three types or essences as we discuss and determine in our classes. You can have a comedy and a drama version if you like but a combo of both in a single demo is preferable.

There is a lot of talk these days about posting individual clips on your Actors Access or LA Casting pages but most casting directors still prefer a good demo reel with several scenes. They'll easily see more variety that way. No one wants to sit on your page all day clicking through clips.

They just don't have the time to do that. Contact us HERE. Then somebody had the terrible idea to put very short "cool" clips in there, too, underscored by music like you shooting a gun or jumping off a building.

This was a bad idea. Sorry, it's true. If you think we're sitting through all that just to get to your first scene Get to the point. They should start with your name and your first and best scene should start within 3 seconds of pressing play, literally. When we have to look through submissions for a guest star, all that montage time adds up.

We don't care about the fancy editing skills you probably paid a lot of money for. We just want to see you ACT. Our company has blanket usage agreements from a variety of music libraries. Professional music editors tailor each cue to fit the read speed, pitch, breaks. Sound designers with film experience take your scenes to the next level. Each scene is a piece of art. We mix it like an animated movie. Our character reels are properly compressed during mix through a high-end signal chain.

Multiband compression and final brick wall limiter to LUFS loudness standard. More dynamic and punchier than anything else out there.

Delivery is a final hi-res master in addition to an optimized MP3. Not getting enough work with your existing reel? Do the samples need more range? Is your generic VO reel mixing genres or lacking music? Add a couple of spots, switch the order, rebalance, and remaster. If you need one or more additional spots, the recording session includes multiple producers present on the front end.

Piece by piece, phrase by phrase… sometimes word by word. We mix it like a record or an animated movie, depending on the reel category. Your variety of reads over custom music cues and sound effects results in a confident, engaging, easily directable voice with a wide range thats ready for booking.

Our recording process is an intense minute session with multiple producers present on the front end. Scene by scene, phrase by phrase. Only the best ones make it. Just like what happens when producing a movie, a bunch of B-material never makes it to the final product. Our reels give casting directors want. Our dialogue editorial includes de-click, de-breath, de-plosive, pitch, timing, and pacing adjustment to give you a wider range.

No cheesy canned music samples.